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mensusa

Saturday, June 30, 2007

How to Choose What Color to Wear ?

A cool color Once you understand color, it's relatively easy to create a wardrobe where every item makes you look your best and ties in well with each other. It can be extremely rewarding and, once you understand which colors suit you, you can start to add in others and still look great! Steps [edit]Understand that color is based on seasons and every person's coloring can be described as a season. There are two characteristics that determine which season's palette that you can best wear: warm or cool and clear or muted. If your coloring is warm and clear you are a "spring", if you are cool and clear you are a "winter", warm and muted is "autumn" and cool and muted is "summer." Realize that warm skin tones tend to have yellow undertones, while cool ones have blue.
These undertones are very subtle and often difficult to see but if you have quite golden skin or appear sallow then you are warm. Blue undertones can often be seen as red cheeks or slight ruddiness. Learn that if your coloring is clear then it will probably be one of your most noticeable features. You will have a large contrast between your hair, skin and eyes and your skin will have a slight translucent quality. If you are muted, however, there will be a less noticeable contrast and you may have some ash tones in your coloring. Your coloring will probably be softer than that of a clear person. Pick colors for your features and seasonsFind out which colors belong to your season's particular palette.
You will probably be able to find out whether a color suits you if it has the same characteristics as are found in your coloring. If you are a spring, you will suit warm, clear colors, such as salmon or lime. Winters can wear cool, clear colors such as black, white and navy blue. Autumns can best wear warm, muted colors like olive green or terracotta and summers look best in cool, muted colors such as burgundy or pastels. Most people are naturally drawn to their best colors so this can also be an indication. Realize that many people can wear colors from another palette that shares characteristics with their own season's palette. You can work out which of these colors you can wear by deciding whether you are (if you are a spring) most noticeably warm or clear. If you are predominantly clear, for example, you will also be able to wear many winter colors. Someone who was warm and clear, predominantly clear, would be a spring-winter.
Tips [edit]Not sure if you are warm or cool coloration? Use the "Gold and Silver Test". In front of a mirror, put a piece of metallic gold fabric or paper near your face, then do the same with a metallic silver piece of fabric or paper. (You can also do this with the back of your arm, especially if you have a tan).
One should be much more flattering than the other. If you are flattered by gold, you're a warm. Silver flatters cooler coloration. Quick color reference guide: Fair skin, try grey Beige skin, try blue Golden skin, try green Bronze skin, try orange Deep skin, try red or pink If you want to wear a color that is not in your seasonal palette, the best way to do this would be to wear it while having one of your best colors with it. This works with most colors. For example, a spring could wear a grey that was not usually her best color if she uplifted it with say, a warm, jewel green top.
You don't necessarily have to totally ban any color in your wardrobe, even if it clashes with your complexion. What's most important tends to be what's near your face. So, if you love bubble-gum pink, but it simply doesn't match your coloration, you can still wear a pink skirt, or enjoy pink handbags, shoes, and so on...just avoid it as a shirt color. Realize no single color is entirely "off-limits" due to your coloring. It often depends on the hue, color make-up and so on of the garment. You might look horrible in a mustard but radiant in a pastel yellow, for instance.

Mens Suits Patterns

A pattern is a great way to make a you stand out a little or throw a little bit of variety into your suits. I'm only going to be talking about patterns you might find on an ENTIRE suit, so I will be leaving out tweed and plaid here. While these are excellent patterns, and can be very professional, they are very rarely found on an ENTIRE suit. Instead, they are more likely to be found on just a blazer.
Stripe Patterns
The most commonly found type of pattern on a suit is a vertical stripe of some sort. There are actually four distinct types of stripes found on suits, and they vary in impact, from low, to very high. As a rule, you should NEVER buy a horizontal stripe suit, it will make you look shorter and fatter than you are, and who wants that?As far as stripes go, it is not uncommon to find different types of stripes on a single suit. A common combination, for example, is a Shadow Stripe (or Tone-On-Tone) paired with a thin pinstripe. Whether this is good or not is completely a matter of personal taste: if you like it, go for it.
The Shadow Stripe
The lowest impact of the stripes, the shadow stripe is generally only a slight difference in texture or shade, rather than a different altogether color (such as white on black). A shadow stripe will always be a solid line that goes all the way down the fabric.
This is a shadow stripe suit. Note how the stripes seem just a little bit different from the other fabric. This is also called a Tone-On-Tone stripe.
The Rain Stripe
The next level up in impact is the Rain Stripe. A rain stripe is a straight line of dots that that go down the front of a suit. It is similar to a pinstripe in that it is a different color from the main fabric, but differs in that it is a line of unconnected dots rather than a single solid line.A classic white-on-black rain stripe. Note that the dots are not connected.
The Pinstripe
The pinstripe is the classic stripe of suits, and is generally the first thing that comes to mind. It is a straight, solid, thin line of a different color than the body of the suit that extends down the length of the suit. Classically, the pinstripe is white, regardless of the background fabric color, but these days, you can get many different combinations.A classic white-on-charcoal pinstripe. Notice that the line is solid down the front of the fabric.
The Chalk Stripe
The Chalk Stripe is the largest and most visible of the stripes. It does make a somewhat bold statement, and certainly draws attention to itself. It is similar to a pinstripe in that it is a solid line of color, different from the background color, but a Chalk stripe is considerably thicker. Generally, anything thicker than 1/8" is considered a Chalkstripe, thinner is a Pinstripe (just a guideline).
A white-on-black chalkstripe. Note how much more this stripe stands out than the pinstripe above.
Geometric Patterns
As there are different stripe patterns that can be found on suits, there are different geometric patterns that can be found as well. They vary in impact from the very subtle to the very bold
The Nailhead
The nailhead is the most subtle geometric pattern. It consists of a solid background color and little "pinheads" (or small nailheads) of fabric spaced at regular (and very small) intervals. The effect of this pattern is that the background color tends to overshadow the nailhead pattern, but the nailhead pattern can easily be brought to dominance by wearing a tie or shirt of the same color (this make the eyes much more likely to pick up the less obvious color in the suit). This can be a great suit multi-purpose suit.A light brown/grey nailhead. The colors are close enough that when worn as a suit, they can merge together.
The Glenplaid
The glenplaid is a traditional English pattern, and not to be confused with a multi-color plaid. In this case, there is again a strong base or background color, but instead of little "nailheads", there is a different (or in some cases MANY different) colors of threading running through that creates multiple square patterns on the fabric. This is generally very subtle, and I'm not kidding when I say there are MANY different threads. I've seen a fine Ermengildo Zegna suit that had a glenplaid made up of not less than 8 different color threads!A stone and grey glenplaid color.
The Houndstooth
The houndstooth is the most impacting of the geometric patterns. Two different colors of thread are generally involved, and there is no "background" color. Each threading is used equally. The fabric is woven in a certain design, often similar to a tiny lightning bolt. When the colors are very different, this pattern really stands out, but it can be made more subtle by using colors that are similar.A houndstooth. Notice that neither color is really "dominant" in this case.Well, that's about it. I've given you an in-depth primer into the various colors and patterns available and suitable for a professional suit. Remember, if you're in doubt, Navy Blue!.

Colors to Avoid

WhiteCreamBaby BluePinkYellowLight GreenOrangeLight brown (this'll make you look like a used car salesman, trust me!)Red (this is considered a very aggressive colour, not great in professional situations)Of course, you can essentially throw this list out the window when it comes to informal situations. Then it becomes more of a personal taste thing. Remember, though, that this guide is meant to help you pick colors for a business or professional setting, where first impressions and look are extraordinarily important.

Wear a suit 5-6 days a week

Again, a great way to add some variety to your suit wardrobe is to try and find a suit in a color from the above two lists in some sort of pinstripe or pattern. You can get a pinstripe suit wear the stripes are a different color from the rest of the fabric (and not just white or black). While this can make matching a shirt/tie a little more difficult, it can really stand out.As for the final colors, a good beige or sandy coloured suit and a dark (chocolate) brown suit are really the final frontiers, here. I've left this range of colors (the "browns") to the last, as matching a brown-toned suit (beige, dark brown, burgundy) to your skin color can be a little difficult. You might find that a particular tone will wash you out (make you look very pale), while the colors in the first two lists (grey, navy, dark green) generally won't do this. You could also consider a lighter shade of blue or green, but these tend to be a little less formal or business-like. All that being said, a light grey or light beige suit is probably the most comfortable color (fabrics aside for a moment) to wear during the summer. Remember, light colors reflect incoming light!

You: Wear a suit 3-4 days a week, and own two or three

The simplest way to add some distinction in your wardrobe is to consider a pattern in your suit. A nice pinstripe or rainstripe would look good here, possibly a glenplaid (again, please see the section on patterns below).
As for new colors for your suits, a fine dark green and/or a light grey suit tend to have multiple uses (though not as many as a Navy or Charcoal suit), and tend to compliment most skin types. Dark green, light grey, charcoal grey and navy suits are ALL fairly easy colors to find different co-ordinating shirt/tie combinations for, as well. This can really help to add some variety to your wardrobe.

You: Wear a suit only occasionally, and own only one ?

The simplest and most basic, multi-purpose suit colors are Dark Navy Blue, and Charcoal Grey. A solid (no pattern) Navy Blue or Charcoal suit can be worn for just about any situation, from an interview to a wedding to a funeral to church, to wherever you go. Solid pattern fabrics are your simplest choices here, but a nice shadow stripe could work as well (please see the section on stripes and patterns below). Try and find a suit with a blazer that can be worn casually (just try and find a very comfortable one, at least). A good Navy or Charcoal blazer can help make MANY different outfits, and can even be worn with a collared sportshirt and a good pair of jeans to make a good "night out at the club" outfit.Now's not the time to skimp: Since you only own one suit, get the best quality one you can comfortably afford. Well taken care of, it will last you many years, and will never go out of style.Note: While a black suit might seem to be an obvious choice here, try to avoid it. Black can come across as very severe (especially on a larger person), and it can also tend to minimize one's size (not so great if you're a smaller person). Black is also not suitable for all occasions. It might be great at a funeral, but not so great if you're attending your friend's wedding!

What Color of Suit Should I be Looking For?

What Color of Suit Should I be Looking For?
These days, you can find a suit in just about any color of the rainbow, from a pure dark black, all the way to a shimmering pink or baby blue, and every color, shade and pattern in between. This guide is meant to help you start a good collection of suits. In this guide, I will be assuming that you're using a suit for either a formal or work situation. While suits and sportcoats exist for casual and informal situations, this is somewhat beyond the scope of this guide.
To help you get started, I'm going to describe in ascending order the number of times you might wear a suit, from the once in a while, to you're wearing a suit 5-6 days a week and want to get a little more variety in your wardrobe. I will also include an in-depth introduction to the different patterns you might commonly find on a suit.

How to pick the perfect suit?

How to pick the perfect suit
Style tips from one of today's top designers for men.

NEW YORK (FORTUNE) - For people who make more money and drive bigger cars than anyone else in the world, American men are just a bit behind in the suit department.
Whether it's picking something great off the rack, or commissioning a beautiful bespoke suit, there's an art to looking your snazziest in and out of the office.

And according to downtown menswear designer of the moment Duncan Quinn, picking the perfect suit starts with a few basic rules that'll have any guy -- young, old, stylish or sartorially challenged -- looking picture-perfect with ease.
1. Make sure it's properly made.

If you're paying thousands of dollars for a lovely suit, it should be the best. That means it's hand-stitched and fully canvassed, not "fused" (i.e. glued) or semi-canvassed. This is basic, and it makes a world of difference.

2. The fabric should fit the role.
If you want to wear a suit every day, don't go for Super 200's -- i.e. a finer fabric -- because you'll wear it out in no time. For everyday wear, go for something under Super 100's, and the suit should hold up much better.

3. Opt for a very fitted silhouette.
"None of this boxy rubbish," says the London-native Quinn.
Many American men wear their jackets one to two sizes too big. But if you don't want to look like a gorilla, you'd better get over the pinch and get a jacket with high armholes that fits your shoulders. Otherwise there's no way to get that "waisted" look.

4. Wear appropriate trousers.
The trend these days is to cut them like low-rise jeans, often with a boot cut. That favors a leaner body, and also allows the pants to fit over your shoes, for a clean look. (Quinn recommends a "guardsman" cut, so the hem is an inch higher in front and doesn't bunch legwarmer-style.) But if you've enjoyed the pleasures of fine wine and food, think about getting yours cut higher, for that elegant, elongated silhouette.

5. Get the right size shirt.
A guy with a size 16 neck can have a 30" waist or a 40" waist. Obviously, most commercially available shirts are cut to accommodate both, which means those on the smaller end can find themselves billowing out to parachute proportions. So take a little time to find a shirt that fits as closely as possible.
6. Colors!
Wear them for the love of goodness, but no more than three at a time. It's fine to wear different shades of the same color, but be sure to contrast the color of your shirt and tie with your suit. (Or run the risk of channeling a monochromatic Sesame Street character.) Navy or midnight blue are good standby suit colors, and are great with pinks. If you opt for a black suit, keep your contrast color a bit more somber -- scarlet, gray or blue.

7. Patterns are wonderful, but don't get carried away.
A good rule of thumb -- if you're feeling adventurous, but don't want to look like a fun house -- is to wear the same pattern throughout, but vary the scale. So a suit with large checks can be paired with a shirt that has much smaller checks for a safe bit of style.

8. Accessorize and coordinate.
If you're going with blue for your contrast color, you may want to consider making sure your socks, cufflinks and tie the same hue. And always, always, always cufflinks.
Check that they're sterling silver or gold, otherwise you're probably getting a lower-quality base metal coated in rhodium, which will last about as long as your first girlfriend.

9. Get a great tailor
You can buy off the rack and just worry about the shoulders and torso fitting correctly, because the right tailor can take care of the rest. And the best tailors can do miracles. "It's the difference between an aesthete and artisan," says Quinn, whose people can give you the star suit treatment at his eponymous New York Nolita store "between just measuring someone and doing something to fit those measurements, or really seeing him and envisioning something that will make him look his best

A Varieties of Men's suits

A suit, with varieties such as a business suit, three-piece suit, lounge suit or two-piece suit, is a collection of matching clothing comprising:

A coat (commonly known as a "jacket") A pair of matching trousers, or a skirt for women. Optionally, a waistcoat or vest. A two-piece suit or lounge suit is one lacking a waistcoat; a three-piece suit has one. The term suit comes from the word "suivre" in French meaning "to follow", as the trousers and waistcoat 'followed' the jacket in colour and material.
A suit is generally accompanied by a shirt and tie (for men), or a blouse (for women). A hat such as the fedora and the bowler (for men), or the pill box (for women), in Western countries, used to complete the outfit, but over the course of the 20th century these largely fell out of fashion and are no longer commonly worn with suits.

Men wear suits much more frequently than women. Women's suits, a later development than men's suits, are usually worn only in business settings. For other dressy occasions, women more frequently wear other styles of formal clothing.
Contents [hide]1 History 1.1 Men's suits 1.2 Women's suits 1.3 Influence of casual dress 1.4 Styles 1.4.1 Extreme suits 2 Perceptions 2.1 Women's suits today 3 Suit etiquette for men 3.1 Buttoning the suit 3.2 Suit colors 3.2.1 Pattern 3.3 Ties with suits 3.4 Shirts with suits 3.5 Socks with suits 3.6 Accessories with suits 4 Suit etiquette for women 5 References 6 External links
History
Men's suits Matching coat, waistcoat, and breeches: Johann Christian Fischer by Thomas Gainsborough, c. 1780.The suit is the traditional form of male formal attire in the Western world. The modern suit did not appear until the early-to-mid nineteenth century, but the origins of its coat can be traced back to the revolution in men's dress set by Charles II, king of Great Britain in the 1660s. A particular style of this was adapted and popularized by British dandy Beau Brummell by the early 1800s.
In the 1660s, restored English king Charles, following the example of the court of Louis XIV at Versailles decreed in 1666 that at court, men were to wear a long coat or jacket, a waistcoat (originally called a petticoat, a term which later became applied solely to women's dress), a cravat (ancestor of the modern necktie), a wig, and breeches or trousers gathered at the knee, as well as a hat for outdoor wear.
By the early 1800s, Brummel's style trend led men in Europe to wear understated, beautifully cut, perfectly tailored versions, adorned with elaborately knotted neckwear. Brummell's stylistic influence is credited with introducing and bringing to fashion the move for a pared-down modern man's suit worn with necktie. He additionally popularized regular bathing for males which went with his versions of the suit. (Johnson, Birth of the Modern)
Coats with matching trousers or even waistcoat have gone in and out of fashion over the last four centuries however the modern lounge suit coat is still derived from historical coats. Although it is hard to see the outline of the modern business suit coat in the elaborate and brightly-coloured court dress of the seventeenth century, the basic pattern has survived for more than four hundred years with some adjustments, despite the abandonment of wigs and knee breeches after the French Revolution, the rise of British tailoring, which used steam, pressure, padding, and stiffening to mould woolen fabric to the body, the invention of the modern necktie in the late nineteenth century, and the gradual disappearance of waistcoats and hats during the last fifty years.
President John Kennedy depicted wearing a suitWhat we call the modern suit was originally a nineteenth-century English innovation in dress. Originally the term usually referred to a lounge suit and was worn only in the country and at the seaside. At that time morning dress and frock coats were not part of a 'suit' because they were usually worn with non-matching striped trousers, and having matching waistcoat and trousers was originally considered more informal. The term "ditto suit" was also transiently used due to the matching waistcoat and trousers, these sometimes having coats more resembling a frock coat or a morning coat. The "sack suit" is a North America derivative of the English lounge suit which looked even looser and more casual because it lacked darts. In the nineteenth century, for more informal occasions, men still wore morning dress as a more casual alternative to the formal frock coats then considered appropriate business and day time formalwear. The lounge suit was thus an even more casual form of dress and was reserved solely for recreation activities.
In 1901 the smartly dressed man wore a morning coatThe lounge suit became increasingly popular through the later nineteenth century as casual town daywear until it started to become an acceptable alternative to the morning coat as town wear in the early twentieth century.

As the lounge suit became increasingly popular, even the humblest men would have at least one suit to wear on Sunday to church as part of their "Sunday best." Victorian men who were able to afford it would still wear a frock coat to church. Prior to 1935 (and again for a short time in the 1970's) men preferred their jackets and waistcoats to be fitted snugly. The trend since 1935 has been for loose fitting jackets. The waistcoat or vest was worn regularly with the suit until World War II when it fell out of fashion due to the loose style then in fashion. The waistcoast returned to fashion when the fitted style became prevalent once again in the the 1970's. This style quickly became associated with disco music and culture. Movies like Saturday Night Fever helped popularise the waistcoat as a fashionable piece of dresswear. The three-piece suit quickly became associated with the disco culture. The backlash against disco quickly led to the demise of the popularity of three piece suits which were criticized as being "effeminate" by men such as Steve Dahl who disapproved of disco and organized a campaign to get rid of anything associated with it. By 1983, the wearing of waistcoats had become a rare sight. This is exacerbated by the fact that men prefer loose fitting coats. A waistcoat that is not fitted properly will rise when one sits down and will quickly become uncomfortable.
Three men in slightly different versions of black tie.At the end of the nineteenth century, an informal evening version of the lounge suit emerged in England, known as a dinner jacket in British English, in a dress code referred to as black tie. When it was imported to the United States, it became known as as the tuxedo or the penguin. The dinner jacket was originally called a 'dress lounge' in England to indicate that it was a lounge suit for evening wear. The 'dress lounge' was originally worn only for small private gatherings and white tail tie was worn for large formal events. The 'dress lounge' slowly became more popular for larger events as an alternative to full evening dress in white tie. As black tie grew in popularity, it has became increasingly acceptable as formalwear and today has all but replaced white tie, which today is only seen at ultra-formal occasions. The daytime formal equivalent to white tie is morning dress, but in the United States this too has become uncommon and the daytime semi-formal dress called the stroller is more common. The stroller is itself a form of 'dress lounge' - a day time semi-formal lounge suit version of morning dress.
[edit] Women's suits Women's walking suits, 1894, from the Butterick pattern company's Delineator Women's Tailored Suits, 1937The earliest women's suits were riding habits, which consisted of a tailored coat or jacket and matching skirt from the 1660s. Practical and sturdy, riding habits were worn not only on horseback, but also for travel and other daytime pursuits. Suits not intended for riding appeared in the later nineteenth century. Both riding habits and walking suits reflected the skirt and sleeve styles of the day.
In the first half of the twentieth century, the skirted suit became the common daytime city costume for women, in the workplace and out; dressmaker suits featured softer fabrics and "feminine" details, and cocktail suits were worn for semiformal occasions in mid-century.
Under the influence of Dress for Success, a working woman's uniform of skirted suit, tailored shirt, and floppy tie evolved in the 1970s and 1980s. Pantsuits (women's suits with trousers) were introduced by designer André Courrèges in 1964 but were only gradually accepted as formal business attire.
[edit] Influence of casual dressOver the past half-century, the wearing of suits has become far less common than it once was and is now restricted almost entirely to formal and business activities. During the 1990s, many businesses in North America adopted casual dress codes, beginning with "casual Fridays" and then extending to the entire business week. The abandonment of a uniform dress code has led to considerable confusion over what is considered appropriate business wear. More recently, some businesses have reinforced the wearing of suits, although they may never again be as common as they once were.
According to Anne Hollander's book Sex and Suits (ISBN 1-56836-101-7), the origin of the suit was in European medieval armor, which "replaced the naked human frame with another one that made a close three-dimensional, line-for-line commentary on it in another medium." Furthermore, "plate armor required an undergarment made by a linen-armorer, a close-fitting padded suit that outlined the whole man".
[edit] Styles Smart double-breasted suit for greater formalityThe majority of men's suits can be classified into one of five styles. Double-breasted suits have two parallel rows of buttons; this style is considered very conservative. All other styles are single-breasted and may have various numbers of buttons, most commonly two or three. British suits are characterized by moderately tapered sides, minimal shoulder padding, and two vents. Italian suits are characterized by strongly padded shoulders, strongly tapered sides, and no vent. American suits are considered more casual than the preceding styles, and are characterized by moderate shoulder padding, minimally tapered sides, and a single vent. Contemporary is a term that includes a variety of recently designed garments that do not fit into the preceding categories.
Suit jackets in all styles typically have three or four buttons on each cuff, which are purely decorative (the sleeve is sewn closed and cannot be unbuttoned to open). Functional cuff buttons may be found on high-end or bespoke suits; this feature is called a doctor's cuff.
[edit] Extreme suitsAlthough the man's tailored suit is commonly perceived as the ultimate conservative costume of Western culture (see below), extravagant variations on the tailored suit have been adopted by many subcultures over the last century as a matter of fashion or social identity. As early as 1922, Emily Post addressed what she termed the "freak American suit" in her influential guide Etiquette:
You will see it everywhere, on Broadway of every city and Main Street of every town, on the boardwalks and beaches of coast resorts, and even in remote farming villages. It comes up to hit you in the face year after year in all its amazing variations: waist-line under the arm pits, “trick” little belts, what-nots in the cuffs; trousers so narrow you fear they will burst before your eyes, pockets placed in every position, buttons clustered together in a tight little row or reduced to one. And the worst of it is, few of our younger men know any better until they go abroad and find their wardrobe a subject for jest and derision. Some of the non-traditional tailored suit styles of the past century include:
The Zoot suit of the 1930s and 1940s The Western suit, a form of western wear featuring a tailored jacket with "western" details such as pointed yokes or arrowhead pockets The Nudie suit, a highly decorated form of western wear The Beatle suit or Mod suit, a fashion of the 1960s with very narrow trousers and sometimes collarless jackets, derived from Pierre Cardin's early menswear The Disco suit, a fashion of the 1970s with exaggerated lapels and flared trousers, often in white or brightly-coloured polyester fabric
[edit] Perceptions This section may contain original research or unverified claims.
Please help Wikipedia by adding references. See the talk page for details.This article has been tagged since March 2007.
The uniform impression of a suit, often appearing in standard configurations such as pinstripe suit or suit and tie, can carry numerous connotations. In business settings it can communicate respectability and taste. In different milieus, the connotations of corporate life that the suit represents conveys unadventurous conformism. Extreme variations on the suit can convey the opposite (for example, many pimps, or men wanting to be perceived as such, wear exaggerated versions of suits containing various hues, patterns, etc.).
Two-piece suits may also be used as military uniformUsed as a synecdoche, by referring to management staff in corporations as "suits", may express contempt for the perceived absence of autonomy imposed on members in a uniform elitist bureaucracy. It may also be a comment on the perceived amorality of those who work for corporations.
The political and social dominance of the West in the world during the last century has led to the adoption of the suit as appropriate business and formal wear in almost every part of the globe. Refusing to wear a suit, therefore, can be a symbolic rejection of Western culture in some cases.[original research?] For instance, some political leaders reject wearing business suits in order to send a message that they do not conform to Western patterns. The most notable example was probably the late Chinese leader Mao Zedong, who usually appeared in public wearing what was nicknamed the Mao suit in English. This suit was originally designed under the direction of Sun Yat-sen for the Chinese Republic, reflecting the need to create a uniquely Chinese dress for the new era. The "Mao suit" was worn by most Chinese political leaders (including Chiang Kai-shek), until the mid-to-late 20th Century, and is known as the "Zhongshan (Sun Yat-sen) suit" (after its creator) in Chinese. Other alternatives to the western suit include national or tribal dress for African and Middle Eastern leaders, or military fatigues like Cuba's Fidel Castro. In more recent years, however, Castro has taken to wearing business suits in public appearances in lieu of his iconic revolutionary fatigues.
[edit] Women's suits todayIn the 1990s, the return of the miniskirt to the fashion world soon carried over into the office settings. Skirt length varies with fashion trends and acceptable local custom.

[edit] Suit etiquette for menThis article does not cite any references or sources.Please help improve this article by adding citations to reliable sources. (help, get involved!)Unverifiable material may be challenged and removed.This article has been tagged since November 2006.
[edit] Buttoning the suitDouble-breasted suits are almost always kept buttoned. When there is more than one to fasten (as in a traditional six-on-two arrangement), only the top one need be fastened; in some configurations, the wearer may elect to button only the bottom button, in order to present a longer line (a style popularized by the Prince George, Duke of Kent).
Traditional glen plaid three-piece suitToday, Single-breasted suits are buttoned while standing.[citation needed]This is due to the fact that the current trend is for jackets which are loose. Prior to 1935 and again during the 1970's, men preferred fitted jackets which could be worn either buttoned or unbuttoned whether one was standing or not.[citation needed] In a three-button suit, all but the bottom button can be done up. Today, however, if only one button is done up, it is the middle one, if two it is the middle and top ones. This is due to that men today prefer their jackets to be made low-waisted.[citation needed] Prior to 1935, men preferred high-waisted coats and therefore the fashion was to button only the topmost button (if any was to be buttoned at all). In two button suits it is appropriate to button the top button, but never the bottom button only. If one is wearing a waistcoat, there is no need to button the jacket.
[edit] Suit colorsIn the past (especially in the 1920's and 1970's), suits were made in a wide array of colors. Today, business-suit are usually made in navy blue, grey, and charcoal. Browns and darker shades of green have returned to fashion (these colors had previously been popular in the 1970's and also prior to 1935) although these colours are still not widely accepted by more conservative men. Black is traditionally a colour reserved for one's dinner jacket (tuxedo), but may be worn in religious contexts such as to a funeral or religious function.
[edit] Pattern Classic pinstripe business suit gives a professional imageTraditional suits are generally solid colors or pinstripes, with refined plaids such as the traditional Glen plaid sometimes qualifying. The color of the patterned element (stripes, plaid checks) varies by gender.

[edit] Ties with suitsMain article: NecktieWorking with neckties is very much a matter of personal taste, but in conservative terms there are some basic guidelines. Ties should always be darker than the wearer's shirt. The background colour of the tie should not be the same as that of the shirt, while the foreground of the tie should contain the colour of the shirt and thereby "pick up" on the colour of the shirt. Ideally, the tie should also integrate the colour of the suit in the same way. Generally, simple or subdued patterns are preferred for conservative dress, though these are terms with a wide range of interpretation. Some of the most common knots are the Four-in-hand, the Half-Windsor, the Windsor (or Full-Windsor), and the Shelby or Pratt. A Four-in-hand, Half-Windsor, or Windsor is generally the most appropriate with a suit, particularly by contemporary guidelines. Once properly knotted and arranged, the bottom of the tie should just touch or just go over the top of the belt buckle. The thin end should never extend below the wide end.
Appropriate etiquette should be followed when wearing neckties that indicate membership in a corporate body: many ties made for the American market display heraldic devices or come in "regimental stripe" patterns that could be mistaken for an official organisational tie in European circles.
[edit] Shirts with suitsMain article: Dress shirtThe type of shirt worn by men with a suit is a top made of woven cloth, with long sleeves, a full-length buttoned opening down the front, and a collar; this type of garment is known in American English as a dress shirt or Oxford shirt but simply as a shirt in other English dialects. It is ironed, neatly tucked into its wearer's trousers, and otherwise worn according to the etiquette described in the article dress shirt.

The classic shirt colors are light blue or white, with white edging out as most conservative. The most formal type of dress shirt worn with a standard suit is a shirt with linked cuffs, but not French, using cuff links or silk knots instead of buttons to close the sleeves, but this type of shirt is optional, and essentially up to the preferences of the wearer and the vagaries of fashion.
The most traditional collar is a spread collar. This is frequently the default collar type for French cuff shirts, though they can sometimes be found with point collars. Normally button-down collars are reserved for casual use with a sportcoat or without a coat at all. The button-down collar is not seeing as much wear today, particularly with the resurgence of more formal shirts with spread collars and French cuffs, even in business casual wear.

[edit] Socks with suitsIn the United States it is common for socks to match the trouser leg. This makes the leg appear longer and minimizes the attention drawn by a trouser leg tailored to be too short. A more general rule is for socks to be darker than the shade of trousers, but potentially a different color.[1] With patterned socks, ideally the background color of the sock should match the primary/background color of the suit. If it is not possible to match the trouser leg, socks may match one's shoes.

Comedians like Jerry Lewis (in the past) and then-Supreme Court Associate Justice Thurgood Marshall have been known to wear white socks with their suits. Though it may have been fashionable to wear them in the 1950s, black or other dark dress socks are much preferred to white socks for most occasions.

[edit] Accessories with suits A pinstriped navy blue suit, with a grey one in the background, necktie and pocket square.Acceptable colors for belts (if worn) and shoes are black and burgundy/cordovan, though since the 1980s various shades of darker browns (particularly mahogany) have started to gain acceptance. Light browns such as saddle tan should be reserved for use with business casual wear. The belt and shoes must match one another, at the very least in color category if not almost exactly in shade. The belt's buckle should be silver or gold. Other metallic objects worn with the suit (such as cuff links, tie bar, tie tack, watch) should match the belt buckle. However, in more conservative circles, especially in the UK, a belt should never be worn with a suit. A suit made by an English tailor will not have belt loops and the trousers should be kept in place by either adjustable side fasteners or braces (US: suspenders). Where watches are concerned: the more formal the occasion, the thinner the watch. Analogue watches are more formal than digital watches. In the most formal situations, a pocket watch, or no watch at all, should be worn. The pocket watch should also match the other metal objects in size and color. Leather-soled shoes are traditional and traditionally have a more "dressy" appearance. Some companies also make dress shoes with wooden soles.

Handkerchiefs and pocket squares/silks in the upper welt (chest) pocket are not especially common in today's formal dress. Originally, handkerchiefs were worn partially protruding from the left jacket sleeve. Over time, they migrated to the breast pocket. When silk was still a rare and expensive commodity, they were considered a flamboyant extravagance by conservative commentators. By the end of the nineteenth century, however, they had become a standard accoutrement for gentlemen.

[edit] Suit etiquette for womenSuit-wearning etiquette for women generally follows the same guidelines used by men. Only the differences are described here.

For women, a blouse (usually white) takes the place of a shirt. Blue and pink blouses are also seen. Women have more leeway in selecting their top than men have in selecting their shirt. Sometimes a high-quality knit top replaces the blouse; this is not universally accepted but is common, particularly if the top is made of a luxurious material.

Women wear no necktie with their suit. Fancy silk scarves that resemble a floppy ascot tie were popular in North America in the 1970s, worn with pant suits. At that time women entered the white-collar workforce in large numbers and their dress fashions imitated men's business wear. The scarves are not popular in contemporary usage; most women pair their suit with either a subdued necklace or no neckwear at all.
[edit] References

About Red Shade ?

Perhaps you've used this phrase to mean that you're so angry that you literally see red. Here's a test to see if you really see red. And it will be a bit of magic because you will see the invisible.
Instructions:1. Make sure the image below fills your computer screen.2. Look at the image at a distance of 12 inches or 30 centimeters from the screen.3. Stare at the black dot in the middle of the red rectangle for 30 seconds. Keep your focus on the black dot or the test will not work.4. After 30 seconds, shift your focus to the black dot in the middle of the white rectangle. Once again, you must focus on the black dot in the middle of the white square or this will not work.
Begin!

Did you see red? What did you see?
You are not hallucinating. You saw an "after image" and there is a very scientific explanation for it: Your eye is filled with 250,000 color decoding cones. The 83,000 cones that are used to decode red became over stimulated when you focused on the red rectangle. These red-sensitive cones adapted and lost their sensitivity. (Like other primary sensory cells, they stop firing if bombarded for too long with a stimulus.)Once these red cones lost their sensitivity, the opposing cones kicked into action. You probably saw blue or bluish green, somewhat like transparent bluish light or cellophane on the white area. (If you saw nothing, reread the instructions and take the test again.)
Note: Scientists have noted that after-images are caused by a depletion of certain chemicals in the sensory cells - the rods and cones of the eye.
For another test, click here.
Here are some practical examples of how colors cause visual fatigue:Let's assume that you work on an assembly line and sort red pills 8 hours a day. If the work surface is white, you'll fatigue the eyes and get an after image. If you use a soft muted teal as the work surface color, you'll maximize visual efficiency. "After image" will occur with any color. Imagine what would happen if you were in a monochromatic blue interior. Which color would your eyes be hungry for?
What happens when chickens see red?
A company* that markets red contact lenses for chickens (at 20 cents a pair), points to medical studies showing that chickens wearing red-tinted contact lenses behave differently from birds that don't. They eat less, produce more and don't fight as much. This decreases aggressive tendencies and birds are less likely to peck at each other causing injury. A spokesman said the lenses will improve world egg-laying productivity by $600 million a year.
(Perhaps everything looks red and they cannot distinguish combs, wattles, or blood. Or ...perhaps the chickens are happier because they're viewing the world through rose colored glasses.)
* Animalens Inc. of Wellesley, MassIf you don't believe this, read the facts! Click here.

Which color is the worst offenders?

The human eye can see 7,000,000 colors. Some of these are eyesores. Certain colors and color relationships can be eye irritants, cause headaches, and wreak havoc with human vision. Other colors and color combinations are soothing. Consequently, the appropriate use of color can maximize productivity, minimize visual fatigue, and relax the whole body.
Which color is the worst offender?
Yellow, pure bright lemon yellow is the most fatiguing color. Why? The answer comes from the physics of light and optics. More light is reflected by bright colors, resulting in excessive stimulation of the eyes. Therefore, yellow is an eye irritant. Babies cry more in yellow rooms, husbands and wives fight more in yellow kitchens, and opera singers throw more tantrums in yellow dressing rooms. Be careful how you use it. In practical application, do not paint the walls of a critical task environment yellow. Also, do not use yellow legal pads (but it will give you a jolt and temporarily wake your brain up), and do not use yellow as a background on your computer monitor.

On the other hand, since yellow is the most visible color of all the colors, it is the first color that the human eye notices. Use it to get attention, such as a yellow sign with black text, or as an accent. Have you noticed yellow fire engines in some cities?
Finally, yellow is a wonderful color, the most cheerful of the spectrum. And yellow is a symbol of the deity in many global religions.
Some tips for practical application:Notice the difference between a yellow of the purest intensity and a softer tint. Also the size of the area that any color occupies determines the color effect. For best results, use softer tints of the hue or small quantities. A little bit of color goes a long ways.
See red?

Perhaps you've used this phrase to mean that you're so angry that you literally see red. Here's a test to see if you really see red. And it will be a bit of magic because you will see the invisible.
Instructions:1. Make sure the image below fills your computer screen.2. Look at the image at a distance of 12 inches or 30 centimeters from the screen.3. Stare at the black dot in the middle of the red rectangle for 30 seconds. Keep your focus on the black dot or the test will not work.4. After 30 seconds, shift your focus to the black dot in the middle of the white rectangle. Once again, you must focus on the black dot in the middle of the white square or this will not work.
Begin!

Did you see red? What did you see?
You are not hallucinating. You saw an "after image" and there is a very scientific explanation for it: Your eye is filled with 250,000 color decoding cones. The 83,000 cones that are used to decode red became over stimulated when you focused on the red rectangle. These red-sensitive cones adapted and lost their sensitivity. (Like other primary sensory cells, they stop firing if bombarded for too long with a stimulus.)Once these red cones lost their sensitivity, the opposing cones kicked into action. You probably saw blue or bluish green, somewhat like transparent bluish light or cellophane on the white area. (If you saw nothing, reread the instructions and take the test again.)
Note: Scientists have noted that after-images are caused by a depletion of certain chemicals in the sensory cells - the rods and cones of the eye.
For another test, click
Here are some practical examples of how colors cause visual fatigue:Let's assume that you work on an assembly line and sort red pills 8 hours a day. If the work surface is white, you'll fatigue the eyes and get an after image. If you use a soft muted teal as the work surface color, you'll maximize visual efficiency. "After image" will occur with any color. Imagine what would happen if you were in a monochromatic blue interior. Which color would your eyes be hungry for?
What happens when chickens see red?
A company* that markets red contact lenses for chickens (at 20 cents a pair), points to medical studies showing that chickens wearing red-tinted contact lenses behave differently from birds that don't. They eat less, produce more and don't fight as much. This decreases aggressive tendencies and birds are less likely to peck at each other causing injury. A spokesman said the lenses will improve world egg-laying productivity by $600 million a year.
(Perhaps everything looks red and they cannot distinguish combs, wattles, or blood. Or ...perhaps the chickens are happier because they're viewing the world through rose colored glasses.)

* Animalens Inc. of Wellesley, MassIf you don't believe this, read the facts! Click
Here's a second test. Once again, follow the same instructions:
1. Make sure the image below fills your computer screen.2. Look at the image at a distance of 8-12 inches or 20-30 centimeters from the screen.3. Stare at the black dot in the middle of the white star for 30 seconds. Keep your focus on the black dot or the test will not work.4. After 30 seconds, shift your focus to the black dot in the middle of the white rectangle. Once again, you must focus, you absolutely must hold your focus on the black dot in the middle of the white square after the 30 seconds pass, or this will not work.
Begin!

What did you see?
Did you see a grey star on the white square.? If you didn't, reread the instructions, and take the test again. Make sure you are close enough to the image.
This time the issue is color contrast. The difference between white and black creates excessive activity in the eye's ability to adjust to dark and light - and this fatigues the eye. The same thing happens when you try to read white papers on a black or dark desk.
Here are some practical examples:If you're in a corporate office, take this theory into the conference room or corporate boardroom. In many instances, you'll find a dark surface, and oftentimes highly lacquered. It may have a high tech corporate look but it will not be conducive to the work at hand. As for your private residence, the kitchen is a critical task environment and the same theories apply.

The scientific explanation is as follows:White surfaces reflect about 80% of the light, black 5%.We take these two percentages, divide 80 by 5 and we get a 16:1 Light Reflectance ratio. The Illuminating Engineering Society (IES) in the United States recommends a maximum ratio of 3:1 for a visual task and the adjacent surroundings.
If you're in a commercial situation, consider hiring a professional interior designer who focuses on both visual ergonomics and aesthetics to create a more positive and productive interior environment.

About Mens Pink Color Suits

Pink is a combination of the color red and white, a hue that can be described as a tint. It can range from berry (blue-based) pinks to salmon (orange-based) pinks. Its symbolism is complex and its popularity is subject to so many influences.

We can begin an analysis of pink by looking at natural and contemporary souces of this delicate color. First, regardless of your skin color, some part of your body is pink. So are sunsets, watermelons and Pepto Bismal. Depending on your age and culture, you may remember pink Cadillacs, pink flamingos (once considered in bad taste in American culture but now retro-chic), Pink Floyd, the Pink Panther, and the pink triangles of the Third Reich (which were used to identify male homosexuals).

In almost every culture, one stereotype emerges: pink is associated with girls, blue with boys. Unfortunately, there is no consensus of opinion on its origin.
According to Jean Heifetz, for centuries, all European children were dressed in blue because the color was associated with the Virgin Mary. The use of pink and blue emerged at the turn of the century, the rule being pink for boys, blue for girls. Since pink was a stronger color it was best suited for boys; blue was more delicate and dainty and best for girls. And in 1921, the Women's Institute for Domestic Science in Pennsylvania endorsed pink for boys, blue for girls. (When Blue Meant Yellow. pp. 20 -21)One could argue that contemporary color symbolism confirms these associations. Blue is considered a calm, passive color, hence feminine. Red (pink derived from red) is considered active hence masculine.
On the other hand, the idea of associating blue with male babies may stem back to ancient times when having a boy was good luck. Blue, the color of the sky where gods and fates lived, held powers to ward off evil, so baby boys where dressed in blue. In Greece a blue eye is still thought to have powers to ward off evil. The idea of pink for girls might come from the European legend that baby girls were born inside delicate pink roses.
Another theory states that the sexual origins can be found in ancient China. At a time when certain dyes were quite rare, pink dye was readily available and therefore inexpensive. Since blues were rare and expensive, it was therefore considered to be more worthwhile to dress your son in blue, because when he married the family would receive a dowry.
The origin of the English term "pink" is as valuable as any discourse on symbolism. Here are some interesting analyses:In English, the word "pink" could be derived from the Dutch flower pinken dating back to 1681. The flower's name could have originally been "pink eye" or "small eye." Another possibility is the verb "to pink" - to prick or cut around the edges, as with pinking shears. The jagged petals of the flower looked as though they had been cut, thus explaining why it became known as the "pink." (Jean Heifetz, When Blue Meant Yellow, p 110)Heifetz also explains the interesting origin of the term "Flamingo Pink." (When Blue Meant Yellow. pp. 50-51) During the era of global exploration in the 16th century, Spanish and Portuguese sailors saw a bird with stunning red feathers in the region now known as Florida. Some say that they named it "flemengo" which comes from the Latin word flamma, or "flame." Others insist that these sailors from southern Europe were joking by calling the bird a "flemengo" - that they were humorously referring to the ruddy cheeks and bright clothes of the Flemings (who resided in Flanders, now Belgium, in northern Europe). One might pause and consider whether "you are what you eat." The Flamingos colors come from the beta-carotene in mollusk, crustaceans and algae in their diet. What happens when baboons eat pink flamingos? And finally, going back to the ancient Egypt, the flamingo was the hieroglyph for the color red.In colloquial language, to be "tickled pink" describes a state of joy, a "pink slip" is a notice that you've been fired from your job, to be "in the pink" suggest good fortune and health, and a "pinko" is a person who is extremely liberal, a socialist or a communist.
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Visitors to Color Matters provide some interesting information about pink:"Amongst the Owambo people (of Namibia), traditional wealth for the women has come in the form of a particular pink snail shell which is found in the extreme north and up into Angola. These snail shells are collected then cut into circular pieces, rubbed until they are all perfectly round and the same size and then beaded together. The richer the woman, the more strands of snail shell necklaces she has. They are very precious. These days the shops sell plastic versions, of course! What I have also seen in recent times is Owambo women in dresses which they say are traditional dresses, which have quite a bit of pink in them.""With parakeets the male's nose is blue and the female's is pink.""In Belgium they dress boys in pink and girls in blue. "In conclusion, consideer the following: Although sunburned skin and watermelons are pink's natural associations, the color is loaded with historical meaning, knee-jerk reflexes and cliches. In some cases, it is quite appropriate; in others, perhaps the only cliche worth using is one, which is ripe for a vivid transformation.© Jill Morton, All rights reserved

Are black and white colors?

"Are black and white colors?"
The answer to this question is one of the most debated issues about color. Ask a scientist and you'll get the physics reply: “Black is not a color, white is a color.” Ask an artist or a child with crayons and you'll get another: “Black is a color, white is not a color.” (Maybe!)
There are four sections on this page that present the best answers.


Introduction
A basic understanding of how colors are created is the first step in providing correct answers. Here are two examples of how colors exist:
The color of a tangible object is the result of pigments or molecular coloring agents. For example, the color of a red apple is the result of molecular coloring agents on the surface of the apple. Also, a painting of a red apple is the result of red pigments used to create the image.
The colors of objects viewed on a television set or on a computer monitor are the result of colored light. If you're not familiar with how colors are created by light, look at your monitor or television screen close up. Put your eye right up against the screen. A small magnifying glass might help. This is what you will see.
A simplified way to explain it is that the color of a red apple on a computer or television is created by photons of red light that are transmitted within the electronic system.
Primary Colors
It's also important to understand the concept of "primary" colors. The fundamental rule is that there are three colors that cannot be made by mixing other colors together. These three, red, blue, and yellow, are known as the primary colors.
Now that we've described two different categories of colors (pigment and light-generated) and have a definition of primary colors, the answer to whether black and white are colors can be answered.

Color Theory 1 - Color as Light(Additive Color Theory)
Red, Green, and Blue (The primary colors of light)
The question:Are black and white colors when generated as light?
The answers:1. Black is the absence of color (and is therefore not a color)
Explanation:When there is no light, everything is black. Test this out by going into a photographic dark room. There are no photons of light. In other words, there are no photons of colors.

2. White is the blending of all colors and is a color.
Explanation:Light appears colorless or white. Sunlight is white light that is composed of all the colors of the spectrum. A rainbow is proof. You can't see the colors of sunlight except when atmospheric conditions bend the light rays and create a rainbow. You can also use a prism to demonstrate this.

Fact: The sum of all the colors of light add up to white.
This is additive color theory.
Color Theory 2 - Color as Pigment or Molecular Coloring Agents(Subtractive Color Theory)
Red, Yellow, and Blue (The primary colors of pigments in the art world)
Cyan, Magenta, and Yellow(The primary colors of inks in the printing industry*)
The question:Are black and white colors when they exist as pigments or as molecular coloring agents?

The answer:Black is a color. (Chemists will confirm this!)
Explanation:Here's a simple way to show how black is made: Combine all three primary colors (red yellow and blue) using a liquid paint or you even food coloring. Youwon't get a jet black, but the point will be clear. The history of black pigments includes charcoal, iron metals, and other chemicals as the source of black paints.Resource: Therefore, if someone argues that black is the absence of color, you can reply, “What is in a tube of black paint?” However, you must add the fact that black is a color when you are referring to the color of pigments and the coloring agents of tangible objects.Is white a color?No white is not a color.... but .... in some cases you could say that white is a color.
The grey area:Technically, pure white is the absence of color. In other words, you can't mix colors to create white. Therefore, white is the absence of color in the strictest sense of the definition.

However, when you examine the pigment chemistry of white, ground-up substances (such as chalk and bone) or chemicals (such as titanium and zinc) are used to create the many nuances of white in paint, chalk, crayons - and even products such as Noxema. It's worth noting that white paper is made by bleaching tree bark (paper pulp). Therefore, you could say that white is a color in the context of pigment chemistry.
Footnote:Note: In theory, mixing equal amounts of three primary colors should produce shades of grey or black when all three are fully saturated. In the print industry, cyan, magenta and yellow tend to produce muddy brown colors. For this reason, a fourth "primary" pigment, black, is often used in addition to the cyan, magenta, and yellow colors.
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Black
White

The final answer to whether black and white are colors takes other factors into consideration.
Part 3 –Vision and Reflection
Colors exist in the larger context of human vision. Consider the fact that there are three parts to the process of the perception of color.
1. The medium - The color as it exists as a pigment/colorant (such as the color of a tangible object) or as light (such as the color of an image on a television screen).
2. The sender - How the color is transmitted.
3. The receiver - How humans see color. In other words, how we receive information about color.

(If a tree falls in the forest and there is nobody around does it make a sound? Does a color exist if there is no one to see it?)

Is black a color? Is white a color?
The answer to whether white and black are colors combines both of the theories described in Part 1 and Part 2. Pigments and coloring agents are only half of the answer.
Here's how we see color:
The color of a tangible object originates as a molecular coloring agent on the surface of the apple. We see the color of an object because that object reflects “a color” to the eye. Every color is the effect of a specific wavelength. Link to at Color Matters.In the case of the apple, we see the color red because the red apple reflects the specific wavelength of red (440nm is red).
The same theory applies to black and white.
Is black a color?

No, black is not a color; a black object absorbs all the colors of the visible spectrum and reflects none of them to the eyes.
The grey area about black:A black object may look black, but, technically, it may still be reflecting some light. For example, a black pigment results from a combination of several pigments that collectively absorb most colors. If appropriate proportions of three primary pigments are mixed, the result reflects so little light as to be called "black." In reality, what appears to be black may be reflecting some light.
In physics, a black body is a perfect absorber of light.
Is white a color?
Yes, white is a color. White reflects all the colors of the visible light spectrum to the eyes.
In conclusion

The colors we see are simply a degree of how much of this color present in light is reflected. To be completely accurate, a color reflects the wavelengths in the NM range that our retinal cones respond to.

The medium is the process of reflection of the wavelength of the color.The receiver is our eyes which receive the wavelength of the color.
section. There's a lot more basic information about how the human eye sees color ...

Designer Jean Paul in the News.

The opening blast of "Sgt. Pepper" made sense when designer Jean Paul Gaultier mentioned John Lennon as something of an influence on his latest collection (though the song was Paul's). He also name-checked Michael Jackson, which possibly explained some of the show's weirder elements (a hot-pink travel pillow in the shape of a sleeping cat?). But then he said his real intention was a tribute to cultish French singer Philippe Katerine, and the obtuseness of that allusion for anyone outside France immediately underscored the oddness of the clothes.

They were infused with Katerine's taste for outlandish, incongruous getups: silky black harem pants tucked into army boots, full culottes under a white trench, a pinstriped waiter's jacket topping a silver sarong, a teal pilot's jacket (was it Qantas?) worn over a Speedo. Paul has always had a ken for the gender-bend (one's heart went out to the beefcake who had to suffer the catwalk in laced britches and kitten-heeled boots) but he's typically balanced his follies with eminently desirable tailoring. Here, the balance was off, though there was one baggy-trousered suit in the designer's signature pinstripes, and another all-white group looked rather appealingly like a tailor's toiles. Gaultier's equally signature affection for trompe l'oeil appeared as a tie woven into a waistcoat. Katerine should enjoy the gilded denim pieces, and the Speedo with the big brass buttons practically has his name on it.

Tessori Collection makes Headlines

After the Ozwald Boateng interregnum, the Tessori menswear collection is being put together by the house's resolutely anonymous design studio, so it was obviously a smart move to showcase the new season's offerings as a static presentation, rather than in a show where the slightness of the clothes would be spotlit.

As it was, visitors were able to appreciate the subtle details: the satin band inside the turnup on trousers, the polka-dotted lining of a jacket, a tux fabricated from a mélange of cotton and paper, which was light enough for summer, but sure to hold its shape.

One inspiration for the collection was apparently Blade Runner. There was a hint of sci-fi in the elegant dirigible of light that revolved over the milling throng. And, at a stretch, one could say Ridley Scott's movie also resonated in items that combined a sort of classic anonymity with a hint of looking forward. The biker jacket over a clear plastic K-Way, for example, or the polo that closed with a big black industrial zip. The studio's faith in their single silhouette suggested a quiet confidence, which is a good sign. Even better: a vibe that's (mercifully) less contrived than Boateng's.

Groomsmen: Top 5 Trends

Allow your stand-up guys to stand out with a nod to the latest trends. Here are five of the best.


Bye-Bye Bow Tie. Being a stylish groomsman has a lot to do with what's worn underneath the jacket. We're seeing tuxedos with long (not bow) ties, and with vests instead of cummerbunds. "More and more grooms are ordering cravat [long] ties, non-pleated shirts, and three-button jackets, which is a more modern option," says Brian Regenstreich, manager of Zeller Tuxedos in New York.

Make every groomsman's boutonniere different, but match them with the bouquet of the bridesmaid he escorts down the aisle.

Beyond the TuxIf you're having a casual affair, go ahead and ditch the tuxes. Instead, dress the guys in blazers, and match something in their outfits (a pocket square, a tie, a belt, their socks!) with the overall color scheme. For a great casual look, have your party wear khaki pants they already own, and ask them to all get the same navy blazer. Another way to coordinate? Order extra fabric from the bridesmaid dresses to make matching ties for the groomsmen -- this is a great way to tie the party together.

Don't Forget GrampsMany grooms are paying respect to their elders by getting them matching tuxedos. "More and more grooms come in with their grandfathers," says Regenstreich. "If the grandfather is not officially in the party, at least he'll feel like he's part of the celebration with the tuxedo he wears." If you don't want him to look identical to the party, have the grandfathers wear the same style tux and shirts, but a slightly different shade of tie than the groomsmen. That way they'll still be noticed as special, but they'll be distinct from the party.

Wearable Gifts. If your groomsmen are white-collared business types, chances are they spend a lot of their workweek in a suit or blazer. Give them a unique, personalized gift that will add to their wedding day style and that they'll also be able to use again and again. Cufflinks with their initials are a great gift, or you can go for styles that suit the personality of the guy who'll wear them. For the banker, get dollar signs or 'buy' and 'sell' links; for the sports fan, a baseball and mitt. The men in your party will appreciate the thought, and they'll also be thankful that they don't have something identical to the other five groomsmen at your wedding.

Vary the Boutonnieres. It's nice to have the wedding party somewhat coordinated, but it's totally acceptable to have the best man's boutonniere be different than the other members of the party. Another idea? Make every single groomsman's boutonniere different, but match them with the bouquet of the bridesmaid he escorts down the aisle. Decide what each pairing will be by using different colors of the same flower, or all different flowers in the same color. If the men in your party object to donning flowers of any sort, or if you want a more masculine look, consider boutonnieres of wheat, herbs, or leaves.

Groom's Checklist

Grooms: Groom's Preparations/Checklist

Worried that with all the wedding hoopla, you'll forget those cufflinks? Read on for a checklist of everything you'll need.

With all that wedding planning crowding your mind and your bride's focus on her outfit, you might forget about all the formalwear. But looking good requires planning ahead. How to go about it? Follow this to-do timeline.

Three Months Before
Decide what you and your groomsmen will wear. Go tux shopping or reserve rentals for you and your posse.

One Month Before
If you’re buying a tux, make sure alterations are finished and go in for a final fitting. If the tux still doesn't fit quite right, the shop will still have time to make final alterations.

One Week Before
Get a haircut!
Get a manicure (no polish -- just clean, buffed nails).
Buy new boxers for the big day. Surprise your bride with something stylish.

One Day Before
If you’re renting, pick up your tux. Make sure your groomsmen, your father, and the ring bearer get their tuxes, too.

If you’re renting or buying, double check that all the elements are included in the correct size: jacket, trousers, shirt, tie, vest or cummerbund, shoes, cuff links, and dress socks.

If you will be dressing somewhere other than at home, pack up your outfit and grooming products today. You should gather:Hair productsDeodorantTieCummerbund or beltVestCoat or jacketCuff links and studsDress shirtWatchTrousersUndershirtUnderwearSocksShoesAnd last, but definitely not least, the wedding rings

The Morning of the Wedding Day
Get a close shave.
Take a hot shower.
Remember your deodorant! This might be a high-sweat day.
Remember the rings. Place them in your pocket to entrust to your best man sometime before the ceremony.
If possible, ask your mother to pin on your boutonniere. This mother/son moment will bring a tear to her eye.
Breathe slowly and deeply, take one last look in the mirror, and get ready for your lovely bride's entrance.

Have a beautiful, lovely and memorable ceremony.

It's All About the Groom's Image

Grooms: 4 Ways the Groom can Look Stunning
Grooms, be distinguished. Here's how you will shine for your guest.

As the groom you should set yourself apart. Although the tradition says the groom and his henchmen wear similar suits, it's important that guests identify you as the special guy. The more formal the event, the more strict the codes of conduct. If you and yours are opting for an ultra-formal affair, your team will wear virtually the same togs, so being singular becomes a tougher task. The more casual the celebration, the more leeway you'll have. But regardless of the sartorial dictates of your wedding you can use these four ways to stand out on your special day.

Alternative TuxWearing a subtly different jacket from those of your groomsmen is a surefire way to make your mark. For a daytime affair, wear a cutaway coat, but have your boys wear stroller coats instead. If you select a double-breasted jacket, put your men in a single-breasted cut. Or, put yourself in a one-button jacket and have the groomsmen sport a three-button version. If your tux has a satin lapel, the boys' could be plain. Another option: wear a white dinner jacket, and put the groomsmen in traditional black tuxes (or vice versa).
A Fancier FlowerA unique boutonniere, a "mini-corsage" worn on the jacket lapel, is the easiest way to help guests single you out. If your wedding will be very formal and mismatched tuxes would seem inappropriate, run with this option. For example, have boutonnieres made of the same flower (such as stephanotis) for the groom and groomsmen, but add a berry or herbal accent, such as rosemary, oregano, or mint to yours. Or, select a different but very similar blossom: wear a lily of the valley boutonniere, and have your men sport stephanotis. It's a good idea to keep the flowers in the same color family for a consistent look. Two more options: the groom can adorn himself with a 2- or 3-blossom boutonniere and the groomsmen with a single bloom of the identical flower, or the groom can wear a fully open blossom while the groomsmen don buds of the same flower.

The Telltale TieBoost your "all about me" factor by wearing a different colored tie or bow tie than the gang. For instance, if you wear a silver tie and matching vest, the groomsmen could sport a vest and tie combo that complements or matches the bridesmaid dresses. Grooms can go one step further and wear a different type of neckwear from the guys. If you choose a bow tie, the groomsmen could wear neckties with a Windsor knot, which has a triangle-shaped knot, larger than your standard, everyday four-in-hand. Or, if you plan to wear an ascot, select a matching necktie for your men.

Variety in the VestVests are another element of the tux with which grooms can experiment. Pick a vest that's a different color from that of your groomsmens'. If you choose a black tie and black vest, you could put the groomsmen in a color that matches the bridesmaid dresses. Or, set
yourself apart in a cummerbund and put the fellas in vests.

Why Color Matters??

Why Color Matters??

Although color is a "soft science," substantial research shows why color matters and how it plays a pivotal role in all our visual experiences.
Color and Marketing

1. Research conducted by the secretariat of the Seoul International Color Expo 2004 documented the following relationships between color and marketing:
92.6 percent said that they put most importance on visual factors when purchasing products. Only 5.6 percent said that the physical feel via the sense of touch was most important. Hearing and smell each drew 0.9 percent.

When asked to approximate the importance of color when buying products, 84.7 percent of the total respondents think that color accounts for more than half among the various factors important for choosing products.

2. Research reveals people make a subconscious judgment about a person, environment, or product within 90 seconds of initial viewing and that between 62% and 90% of that assessment is based on color alone.Source: CCICOLOR - Institute for Color Research
3. Research by the Henley Centre suggests 73% of purchasing decisions are now made in-store. Consequently, catching the shopper's eye and conveying information effectively are critical to successful sales.

Color and Brand Identity
1. Color increases brand recognition by up to 80 percentUniversity of Loyola, Maryland study
2. HeinzColor influences brand identity in a variety of ways. Consider the phenomenal success Heinz EZ Squirt Blastin' Green ketchup has had in the marketplace. More than 10 million bottles were sold in the first seven months following its introduction, with Heinz factories working 24 hours a day, seven days a week to keep up with demand. The result: $23 million in sales attributable to Heinz green ketchup [the highest sales increase in the brand's history]. All because of a simple color change.

3. Apple ComputerApple brought color into a marketplace where color had not been seen before. By introducing the colorful iMacs, Apple was the first to say, "It doesn't have to be beige". The iMacs reinvigorated a brand that had suffered $1.8 billion of losses in two years. (And now we have the colorful iPods.)
Advertisement

Color Increases Memory
If a picture is worth a thousand words, a picture with natural colors may be worth a million, memory-wise. Psychologists have documented that "living color" does more than appeal to the senses. It also boosts memory for scenes in the natural world.By hanging an extra "tag" of data on visual scenes, color helps us to process and store images more efficiently than colorless (black and white) scenes, and as a result to remember them better, too.&Source: The findings were reported in the May 2002 issue of the Journal of Experimental Psychology: Learning, Memory and Cognition, published by the American Psychological Association (APA)"The Contributions of Color to Recognition Memory for Natural Scenes," Felix A. Wichmann, Max-Planck Institut für Biologische Kybernetik and Oxford University; Lindsay T. Sharpe, Universität Tübingen and University of Newcastle; and Karl R. Gegenfurtner, Max-Plank Institut für Biologische Kybernetik and Justus-Liebig-Universität Giessen; Journal of Experimental Psychology – Learning, Memory and Cognition, Vol 28. No.3., 5-May-2002
Color Engages and Increases participation
Ads in color are read up to 42% more often than the same ads in black and white (as shown in study on phone directory ads).Source: White, Jan V., Color for Impact, Strathmoor Press, April,

1997
Color Informs
Color can improve readership by 40 percent 1, learning from 55 to 78 percent 2, and comprehension by 73 percent 3.(1)"Business Papers in Color. Just a Shade Better", Modern Office Technology, July 1989, Vol. 34, No. 7, pp. 98-102 (2) Embry, David, "The Persuasive Properties of Color", Marketing Communications, October 1984.(3) Johnson, Virginia, "The Power of Color", Successful Meetings, June 1992, Vol 41, No. 7, pp. 87, 90.
Color Attracts AttentionFrequently Cited "Facts"
Tests indicate that a black and white image may sustain interest for less than two-thirds a second, whereas a colored image may hold the attention for two seconds or more. (A product has one-twentieth of a second to halt the customer's attention on a shelf or display.)
People cannot process every object within view at one time. Therefore, color can be used as a tool to emphasize or de-emphasize areas.
A Midwestern insurance company used color to highlight key information on their invoices. As a result, they began receiving customer payments an average of 14 days earlier.
Other Research

92% Believe color presents an image of impressive quality90% Feel color can assist in attracting new customers90% Believe customers remember presentations and documents better when color is used83% Believe color makes them appear more successful81% Think color gives them a competitive edge76% Believe that the use of color makes their business appear larger to clientsSource: Conducted by Xerox Corporation and International Communications Research from February 19, 2003 to March 7, 2003, margin of error of +/- 3.1%.
Color and the Senses

General facts about sensory input and human beings:
Although the olfactory sense was a human being’s most important source of input in the pre-historic era, sight became our most important means of survival. Furthermore, as hunters and gatherers in the early days of our evolution, we experienced a variety of colors and forms in the landscape. This has become part of our genetic code.In our current state of evolution, vision is the primary source for all our experiences. (Current marketing research has reported that approximately 80% of what we assimilate through the senses, is visual.)
Our nervous system requires input and stimulation. (Consider the effects of solitary confinement in jails.) With respect to visual input, we become bored in the absence of a variety of colors and shapes. Consequently, color addresses one of our basic neurological needs for stimulation.

Color and Visual Experiences
"It is probably the expressive qualities (primarily of color but also of shape) that spontaneously affect the passively receiving mind, whereas the tectonic structure of pattern (characteristic of shape, but found also in color) engages the actively organizing mind."Source: Arnheim, Rudolf, Art and Visual Perception, University of California Press, Berkely, 1974, p. 336
© Jill Morton, 2005All rights reserved. This article may not be published, broadcast or redistributed without previous written consent from the author.

Recent projects include the colors of Tylenol's new "Extra Strength Rapid Release" Gel Capsule and Xerox's "Panel of Color Experts"

Want to look cool? Get a safari suit

COULD the safari rise again? In Milan this week men's wear brands including Belstaff, John Richmond and DSquared2 floated the possibility with lightweight, military-style jackets and slacks similar to those in every stylish Aussie bloke's wardrobe in the 1970s and out of fashion by 1980.
So entrenched was the safari in those glory days of women's lib, dime-a-dozen arts grants and South Australia's flamboyant premier Don Dunstan, that at the Australian embassy in London a particular postcard handed out to visitors showed a corporate tycoon in a pale safari shorts-suit and long socks under the proud heading; "A businessman in Australia."
In the 30-odd years since the 1970s, the safari has still not been toppled as the only men's wear trend with guts enough to challenge tailored suits as the everyday corporate uniform.
Its reign was a cultural spike that saw boardrooms and Parliament populated by men in beige and sky blue polyester.
So many businessmen and politicians dumped their double and single-breasteds for the safari in the 1970s that a reshuffle of sartorial protocol was often warranted.
Melbourne radio broadcaster and self-styled safari suit aficionado Tom Elliott remembers one sign from the 1970s, still swinging over the door of the old Adelaide Stock Exchange building years later: "Members NOT wearing a safari suit require a jacket and tie."
Elliott's own love affair with polyester epaulettes, tabbed patch pockets and collars wide as aircraft wings began long after the safari was over, but he's ready for its return: "It's casual, comfortable, suitable for the warmer weather and it's been ignored too long by the so-called fashion cognoscenti."
Elliott's collection of authentic polyester — mustered from op shops over 20 years — is rare testament to the suit's pastel reality, obscured by the black and white photographic records of the 1970s.
Most are short-sleeved with flared trousers, but the sky blue suit has shorts: "More of a resort-wear piece," says a deadpan Elliott.
Why the safari eventually fizzled is not clear but the sobering end to the Vietnam War may have focused more men's thoughts on what appears masculine and dignified — and what doesn't.


Janice Breen BurnsJune 30, 2007

2 Button Suits

Choose a Jacket style. The two-button, single-breasted jacket is a popular style, but three- or four-button jackets are also available. Keep in mind that fashions change for men's clothing, just as they do for women's. Only thin men should wear formal double-breasted jackets, which add bulk to the figure. These should be kept buttoned at all times, as the jacket hangs awkwardly otherwise.

Step 2

Select a fabric color and pattern. If you opt for a patterned fabric, check to see that patterns line up at shoulder and lapel seams.

Step 3

Choose a suit fabric. High-quality worsted wool is the most seasonally versatile. Cotton and linen are good for summer wear. Avoid blends that are made with too much polyester, as they don't breathe well and may look cheap

Step Four
Crumple the fabric to make sure it bounces back instead of wrinkling, unless you've chosen a fabric that's meant to wrinkle, such as linen.


Step 5
Step Five
Select a pants style. Pleats make pants dressy and provide room for movement, while flat-front pants are slimming. Cuffed legs are formal, add weight to the suit and can make the leg seem shorter; uncuffed pants elongate the leg and are more informal.


Step 6

Test the jacket for fit. Make sure the collar lies flat against the back of your neck and shows a 1/4-inch rim of shirt collar. Shoulders should be lightly padded and neither too boxy nor too sloped. Sleeves should reveal 1/4 to 1/2 inch of shirt cuff and fall 5 inches above the tip of your thumb.


Step 7
Button the jacket and sit down to verify that it is comfortable and doesn't bunch up.


Step 8
Make sure the pants sit on the waist, not hips, and drape over and break slightly at the tops of your shoes. Check that your socks aren't visible when you walk.
Tips & Warnings
Tall men should emphasize horizontal lines and avoid pinstripes. Double-breasted suits often flatter tall, thin men. Short men should consider single-breasted, shorter jackets in pinstripes or dark solids. Heavier men should also opt for pinstripes and avoid double-breasted suits.
When you buy a suit off the rack, you may have to take whichever pants come with the jacket. If this is the case, the jacket style, which is more noticeable, should take precedence over the pants style. Keep in mind that cuffs can be added to or removed from most pairs of pants.
Buying a jacket and pants separately will give you more style choices, and is a good approach if you need a special fit (if you have a large chest and a small waist, for example). It may be difficult to match the garments, though.

 

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